With other urban and cross-regional commer. The networking of BerlinĬREATIVE METROPOLES – Public Policies and That large cities typically play in international collaborations. Years ago can Berlin again assume the role Only since the fall of the Berlin Wall just 20 Tribution to the discussion and on-going work in two European projects: CREATIVE METRO. In this regard, Berlin makes an important con. Order to strengthen the innovation capacity and future competitiveness of the partnering Ment activities in the field of new media in Practices are illustrated and future areas of Knowledge transfer and research & develop. The aim of the project is to improve theĪre presented, problems are analysed, best Rent results of policies by the state agencies Cur-īerlin, Copenhagen, Dublin, Paris and Bucha. This report provides information on the cre-įrom politics, research bodies, networks andĪtive industries in the federal state of BerlinĮnterprises in the six regions of Amsterdam,Īnd on their development since 2000. Senator for Economics, Technology and Women’s Issues The numbers of people working in this area is rising continually. This, which is why it holds such fascination.Ĭulture and creativity are highly significant location and economic factors. Nies and exciting cultural projects are taking Niches and breaches, the dialogue of cultures, Ving at the borders, forward-looking compa. Hed and saturated city, but rather the city of The barriers between once separateĬreativity needs the city – not the establis-įields are now often difficult to detect. Or music, the creative industries feed off one another. Sing, architecture, fashion and design studiosĮus reproduce themselves within the city. Tive industries, and thereby how creative mili. Ment influences the spatial unfolding of crea-Ĭommunications also thrive. Where art and culture flourish, media and Is the first to investigate how urban develop. Innovative capability of commercial areas: Tive industries‘ strategic contribution to the To prosper creativity needs the city, the Indeed, it is impossible to overlook the crea. Ture is the basis for the development of theĬulture, fashion and media, communicationĬreative ideas that kindle all value creationĪnd that literally provide the initial “content“ for fascinating, new technological possibili. Nition of the economic importance of art and The cake that is expendable if necessary. Merely a “weak location factor“, a cherry onīerlin is benefiting from the growing recog. Penses with the prejudice that culture isĭevelop new qualities. Have occurred since 1989, Berlin is poised to The following cultural industries report dis. Ving the special potentials it has engendered, in part due to the profound changes that This stream of talent however, the city in turnīack decades. Ped into its old strengths, some of which date In re-attaining this status, the city has tap. Tion for the cultural and creative industries.Īnd developments, enriching the city‘s crea. Once again a respected and treasured loca-Ĭome to Berlin to embrace new perspectives People from all over Europe and the world
Vorwort Berlin, nearly 20 years after reunification, is The most spheres of activity for creative industries Integration and clustering Sponsorship and financing International networks Accomodation for the cultural and creative industries Sales increases Digitalisation Education and coaching Platforms for design and fashion Urban development and creative spaces Outlookġ30 130 131 133 134 135 136 137 138 138 144 Urban development and the cultural and creative Industries Introduction to the spatial dimension Basis of data and methods Locating creative enterprises Interpretation of business distribution throughout urban space Creative industries accelerate urban transformation processesĥ 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 5.9 5.10 Income dynamics and forms of work in Berlin‘s cultural and creative professions Introduction Supporting data and approach Results
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Preface 1 Introduction 1.1 Terms and terminology policy 1.2 Creative industries and cultural policies 1.3 The complexity of an enabling industry 1.4 Education and training in the creative professions 1.5 Internationality 1.6 Creative industries as a policy field since 2004 1.7 Creative industries as a challenge for public policyĢ 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 2.10 2.11 2.12Įconomic significance of the creative industries for Berlin Overview Print media and publishing Software development/games/telecommunications services Advertising Film, television and radio Art market Music industry Architecture Design industry Performing arts Women in the creative industries Creative Industries in the context of promoting culture Development and Potential Creative Industries in Berlin 2008Ģ008 Creative Industries in Berlin Development and PotentialĮuropean Union Co-financed by the European Regional Development Fund
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